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KUFALA Recordings the leader in authorized
bootlegs and earth friendly packaging has developed a biodegradable
CD and DVD wrap that will replace toxic non-biodegradable plastic
shrink-wrap. Every year the music industry produces hundreds of thousands
of pounds of plastic into the environment in the form of plastic
shrink-wrap.
Since its inception in 2002 KUFALA has been releasing it’s
high quality live recordings and select studio recordings in 100%
post consumer recycled chipboard packaging utilizing non-toxic soy
based inks. Even though KUFALA has been releasing it’s albums
in an earth friendly package they were still always wrapped in plastic
shrink wrap which go right into the trash once a music fan opens
their release.
After discovering a wood cellulose paper that is 98% transparent,
contains no chemicals or plastic, and is biodegradable KUFALA sourced
the production of CD and DVD sleeves through an exclusive partnership
with Prizm Papers who are the leading distributor of clear rolling
papers in the United States. This wood cellulose CD Sleeve combined
with KUFALA’s chipboard packaging makes it the first completely
non-plastic CD/DVD packaging model.
Wood cellulose offers many other advantages in addition to it’s
low impact on the environment. The main one being that wood cellulose
is more durable than it’s plastic counter part. Made from the
alpha cells of wood pulp it is the strongest cell structure derived
from wood a renewable resource. Since no chemicals or bleach are
used in the manufacturing process the paper remains transparent.
As of May 1st 2007, all direct orders off of KUFALA’s website
have been wrapped in the wood cellulose sleeve and starting June
1st all retail distributed product will be shipping in KUFALA’s
new earth friendly sleeve.
If you are interested in finding out more about this amazing new
technology please contact KUFALA’s President Brady Lahr. 323-937-5161,
brady@kufala.com
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New York, NY (May 9, 2005)
Peer to peer file sharing leader Lime Wire and independent label KUFALA
Recordings will partner up to distribute KUFALA music via the LimeWire
network and the LimeWire-owned MagnetMix site (www.magnetmix.com).
For the first time, famed artists in the jam band circuit including
Soul Coughing, The Slip, and New Riders of the Purple Sage can be
downloaded and shared using LimeWire software and Weedshare’s
unique DRM technology.
WeedShare files offer users an opportunity to download a song and
listen to it three times free of charge before deciding to buy. Weedshare
files typically cost between $.50 and $1.25 per track. Lime Wire’s
20 million users can download and share KUFALA Recordings music and
thousands of other Weedshare files freely with LimeWire software.
“This is how things should work,” said Lime Wire COO Greg
Bildson. “It is a new way for record companies and artists to
market themselves as opposed to traditional radio promotion. Artists
connect to an audience of literally millions—what record store
or radio station can do that?”
Beginning with a small catalog of KUFALA recordings, Lime Wire will
soon host a growing 3,000-song catalog including rare live concerts.
An upcoming version of LimeWire software will include Weedshare-specific
search capabilities. LimeWire 4.8 is now available for free download
at www.limewire.com.
For more information on Lime Wire or to download software, please
visit the Lime Wire website at www.limewire.com.
More information on WeedShare technology can be found at www.weedshare.com.
Check out KUFALA Recordings full catalog at www.kufala.com.
About Lime Wire LLC
Lime Wire LLC is a leading developer of advanced P2P file sharing
software. The company currently employs the largest number of expert
developers dedicated to open standard software development. Lime Wire's
software allows users to share and search for any file type. Headquartered
in New York City, Lime Wire LLC was founded in June 2000 and currently
has 20 million unique users monthly.
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Founding Father of "Low Rock" Celebrated in Two CDs and DVD of Classics, Rarities & Unreleased Tracks
BOSTON, Mass. — Morphine leader Mark Sandman was the inventor of a sound called "low rock" the distinctive blend of sonorous saxophone, bass and deep grooves that, along with his lyric poetry, propelled Morphine to fame. Although Morphine and the seminal swamp-blues quartet Treat Her Right became well known and successful, much of Sandman's work was never commercially released and remains unheard by anyone outside his circle of friends.
Sandbox: Mark Sandman Original Music, the forthcoming box set retrospective of Sandman's music, promises to bring everyone into that circle. The two-CD/DVD set will be released on November 16 on Hi-N-DRY through KUFALA Distribution. Suggested retail price for the set is $29.99.
After Mark's untimely death in 1999, the surviving members of Morphine < Billy Conway and Dana Colley, organized the Morphine Orchestra tour in 2000 as a tribute to Mark and his music. Then they began meticulously culling the large collection of original music, poetry and art he'd left behind.
More of a musical adventure than a "greatest hits" set, Sandbox's 31 songs are connected by the voice and distinctive artistry of Mark Sandman. For Morphine and Treat Her Right devotees, it's an affectionate encore. For the uniniated, it's an invitation to discover the depth and scope of Mark's unique and challenging artistry. Sandbox also includes a DVD of rare and unseen footage, artifacts of Mark's career, and even more Sandman music.
As they poured through his many hours of tape, even his closest friends were surprised at how prolific Sandman had been. "This set just scratches the surface," writes album annotator Ted Drozdowski. "Not only of the vast body of Mark's previously unveiled work, but of a life richly lived on its own terms and done too soon. And always, always, always to be remembered warmly and well."
# # #
For media information regarding the Mark Sandman collection titled Sandbox, please contact conqueroo:
Cary Baker — (818) 501-2001 — cary@conqueroo.com.
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Los Angeles based daKAH Hip Hop Orchestra is releasing their debut performance in San Francisco on July 31st, 2004 as a 2 CD set on KUFALA Recordings. Being the first performance for the group outside of their home town Los Angeles the 60 piece hip hop orchestra delivered their unique take on hip hop in awe inspiring form.
Under the creative influence of their conductor/composer/mad scientist "Double G"(GG), daKAH transported the over capacity crowd at the Palace of Fine Arts through a 2 hour hip hop and soul extravaganza. KUFALA was on hand to capture it to multi track, which was remixed by critically acclaimed engineer Masa Tsuzuki.
NPR will be airing an 8 minute Artist Feature of daKAH and their performance in San Francisco on November 12-13th. Check your local listing for Weekend Edition"
For more information on the daKAH Hip Hop Orchestra please visit www.hiphoporchestra.com.
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Recent headlines report that corporate mega giant Clear Channel Entertainment has announced they have purchased a patent making it illegal for any band to record their own live show, and sell that recording day of show at the venue, unless the band pays Clear Channel. Now virtually all performing artists including bands like the Pixies, Billy Idol, and even Bruce Springsteen run the risk that if they record their own shows at any venue in the country, then sell the CD’s that same night, Clear Channel can and will go after the artists and make them pay. Clear Channel’s Instant Live director Steve Simon has made it very clear that, “It is a business, and it's not going to be ‘we have the patent, now everybody can use it for free.’”
The “David” to Clear Channel’s “Goliath” is independent live recording label Kufala Recordings. Led by label president, Brady Lahr, an outspoken champion of the ‘indie artist’, Kufala actually stands the most to gain by Clear Channel’s outrageous assertion. Kufala Recordings provides a major loophole for fans and artists who do not want to be manipulated and controlled by Clear Channel Entertainment. Through Kufala, fans can place orders at the venue and the product is delivered within 2 weeks. Kufala’s releases are multi-track live mixes recorded at the show, that have been studio mastered and creatively approved by the artist--most albums are double disc sets and all come in a sleekly designed eco-friendly sleeve, each featuring unique artwork. These high quality ‘authorized bootlegs’ are also available for download on all major music sites from I-tunes to Net Music, an independent digital music distributor.
Lahr explains, “Unlike the Clear Channel model of recording and burning CDs at the venue, we simply record the music, take it back to our studio for a proper mix and master, then ship the live show recordings out to our artist’s fans. Fans place CD orders at the venue before, during and after the show. They know they will be getting a great recording and that the artist has approved the master. They also know that the band actually owns the recording and will be paid for sure. As artists and fans begin to figure out just how evil the Clear Channel patent is, our business will open up even faster.”
Kufala has drawn a fighting line in the sand and is now calling on independent artists and labels as well as artist organizations to challenge Clear Channel’s patent and its grave monopolistic implications in the music industry. Kufala, a “David” among entertainment industry “Goliaths” is now the only label with the ability to give artists a real alternative to Clear Channel. Kufala and other leaders in the music industry believe that the antitrust implications of Clear Channel’s live recording patent are far reaching. “Clear Channel Claims to own the patent but it will most likely be struck down in court at the first law suit. Lawmakers need to take heed because in fact, Clear Channel is really using their monopoly in the market to powerfully restrain trade above and beyond the patent issue,” explains Lahr. The Kufala business model is not directly affected by Clear Channel’s recent patent however Kufala has experienced first hand Clear Channel’s ability to restrain trade when they barred Kufala from recording at one of their venues—a restrain which occurred regardless of the fact that the venue did not have recording capability not to mention that the artist, their major label, and a non Clear Channel affiliate Radio Station all requested Kufala’s Services.
Lahr is making it known loud and “clear” to every label and artist that Kufala offers the definitive alternative to Clear Channel’s claim to a monopoly on live show recordings, with their own ‘Authorized Bootlegs System.’ Jason Pinsky, another principal at Kufala points out, “We may be the little independent guy here but Clear Channel is laying claim to be able to control an artist’s ability to record and sell their music at their own shows. This is the most outrageous example of Clear Channel’s monopoly in the music industry yet, especially since Clear Channel has already taken over all the major outdoor venues and most of the radio stations and related play lists. Next Clear Channel will claim it has a patent on allowing artists to sing in their own showers!”
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Kufala Recordings is based in Santa Monica, CA and has been in releasing ‘Authorized Bootlegs’ since July 2002. The founding fathers and self-proclaimed music fanatics include Khalid Al-Faisal, chairman of Kufala and Brady Lahr, President / A&R, who oversees all the day to day business from international distribution deals to signing new artists. The most recent addition to Kufala’s management team is Jason Pinsky, who heads up the East Coast division of the company and manages all technological infrastructure. Kufala has released ‘Authorized Bootlegs’ for a multitude of artists, such as New Riders of the Purple Sage, Soul Coughing, The Rockfords (featuring Mike McCready of Pearl Jam), and the Jacob Fred Jazz Odyssey—as well as a number of deals on the table with both indie artists and those signed to majors.
The extensive distribution offered by Kufala includes--
Indie Retail Distribution: working with the Indie Coalitions (CIMS, AIMS, MusicMonitor, LINCS,) as well as a network of about 250 indie stores nationwide they sell directly to.
Digital: Apple iTunes, Real / Listen.com, MusicMatch (Dell and Gateway digital stores), Liquid (Walmart), MSN, Sony Connect, MusicNow, AliveAudio.net, DiscLogic, Napster, NetMusic, Emusic, and Audio Lunchbox
(Artist branded players for direct sales off artist and KUFALA sites), EMEP3.com – Latin American Digital Distributor
International: UK/ Fundamental, Japan /MusicCamp, Portugal /Nucolour Records, Benelux (Belgium, Denmark, Luxemburg, The Netherlands, and stores in Germany) – Records are distributed through Bertus, Italy /IRD, New Zealand/Migraine Distribution as well as deals in the works with Australia, Sweden, and Germany.
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